SOVRAN’S PAWN 10TH ANNIVERSARY EXPANDED EDITION Cover Is Here!!

Thank you to all my loyal readers for waiting patiently for the Amazing Laurel C. Kriegler, Editor Extraordinaire, and me to finish SOVRAN’S PAWN the way we would have liked to have done TEN YEARS AGO!!

Laurel has been after me for years to flesh out the book that was originally intended to be a backstory novella, and to bring it into stylistic alignment with HERO’S END and BARRON’S LAST STAND.

The new, Expanded Edition is more than twice the length of the original 2012 release. It contains a more in-depth world-building, and readers will find many of their most commonly-asked questions answered.

A new book required a new cover. So here is your first look at the darker, grittier cover to match the darker, grittier edition of the first installment of THE BLACK WING CHRONICLES.

The darkness inside him slumbered once more, sated by blood and violence—but for how long this time? He flexed his aching hands and leaned back against the cold stone, crossing his arms against his chest. He’d made his point. There would be no further challenges.

Look for it to go on sale in the near future. There are plenty of surprises to keep you turning the pages and wondering what comes next!

The Wait is Almost Over!

I am in the final proofread of the SOVRAN’S PAWN Expanded Edition. I think I’ve *finally* nailed down new cover art. Since the book has changed so drastically from its original form, more than doubling in length and darker in tone, I’m debating a title change as well.

Keep your EYE out for a cover reveal and a new blurb, as well as upcoming release date, giveaways, and more!

It’s a whole new book!

The Original Edition of SOVRAN’S PAWN is about to disappear forever, so if you have a fondness for it, I encourage you to grab a copy while you still can! Just follow the link HERE

Daughters of Destiny Is Here

I am pleased to announce that SOVRAN’S PAWN has just been released in the DAUGHTERS OF DESTINY collection!

Ten full-length novels, ten heroines at the right hand of destiny…

Whether you’re slaying vampires or holding your own alongside superheroes, one of the best things about heroines is that they show us how strong, cunning, and magical they can be.

This box set contains TEN complete novels, all gripping and intriguing stories with women rocking rebellions, handing out justice, battling shadow gods, and bending the wills of kings.

Contributing authors include: Seattle Times bestselling author Raven Oak, Amazon bestselling authors Alesha Escobar, Devorah Fox, Christa Yelich-Koth, NIEA finalist HM Jones, the fantastic sci-fi/fantasy mavens HM Clarke, Sara C. Roethle, HB Lyne, JC Cassels, and Kylie Qullinan.

These science fiction and fantasy tales will take you on a thrilling journey!

As of right now, it can still be had for $.99 but the price will soon go up! Grab it while you can!! (And don’t forget to leave a nice review!)

Feminism, Initials, JK Rowling, and Me

533642_552932778076373_588861722_nA writer friend posted this picture on Facebook this morning and invited my comment. You really don’t do that unless you mean it. I don’t like to get political and I don’t really like the term “feminism.” I’ve always joked that women who seek to be equal to men are underachievers.

The fact of the matter is that I strongly believe that each gender has its strengths and both male and female should support and encourage each other. The traditionally “male” role complements the traditionally “female” role and one is neither superior nor inferior to the other. I also believe that I can accomplish whatever I set my mind to and my gender has less to do with it than my determination and skill.

I believe that the term “feminism” is insulting to me. It implies that women cannot gain true equality to men without the help of enlightened men making adjustments and setting the bar lower so we poor, weak creatures can reach it. That’s not equality. It’s condescension.

Growing up in a home with three brothers and eight male cousins, there was very little doll-playing going on. When playing with my brothers, I crawled on my belly taking the beaches of Normandy with my stick rifle across my forearms along with everyone else. The taunt of “You can’t because you’re a girl” always resulted in “Watch me!” followed by my doing just what their friends said I couldn’t.

Of course my accomplishments were declared a fluke and I was shoved aside and told to go play with dolls while they went off to do “important” boy things.

My mother once told me that boys didn’t like when girls beat them, so I needed to let the boys win.

Screw that!

No power in the verseWhy should I hide who I am or pretend to be less than I am to make someone else feel better about themselves? By the same token, why should I expect someone else to lower the bar so I can reach it. If I want it badly enough, ‘no power in the ‘verse can stop me’ regardless of how high it sits.

I’ve been called a “femi-nazi” an “Amazon” and several obscenities that my brothers would have decked them for using. I knew going in what I was in-for by working in a male-dominated industry. Some men are intimidated by women and feel the need to denigrate them just to make themselves feel better.

Buffy_CheerleaderI’ve got news for you, some women are intimidated by strong women who don’t fit into the typical cheerleader mold and feel the need to denigrate them just to make themselves feel better, too.

I don’t feel that’s an issue that falls under feminism. That’s an issue that falls under some-people-who-have-a-sense-of-power-over-others-fear-those-who-will-not-fall-in-line-with-their-world-view. That’s not being a feminist. That’s being a free-thinking, intelligent human being. If there is an obstacle in the way of my goals, I will overcome it on my own, thanks. I don’t need a group of condescending men and women in power legislating it away for me.

Whether we like it or not, prejudice against women writers is alive and well. I see it with SF more so than with Fantasy, mostly because I’m most active in that genre. The stereotype of the SF fan being primarily male, between the ages of 13 and 30, socially awkward, living in his parents’ basement is still strong, but oh-so-outdated.

Recent scandals of sexual bias and harassment have rocked the SFWA. Women in the genre are marginalized and often vilified. Unless one is writing SF Erotica or SFR, having a feminine name on the cover does reduce sales.

When it first came out in my town that I’m a novelist, the local editor/owner for the free newspaper asked if I wrote about “trips to the grocery store.”

upwords-board-730x485Rather than start beating my chest and crying over the unfairness of it, I considered the source. He’s a condescending blowhard with few friends in town who is still angry over the fact that I beat him like a red-headed step child the one and only time he challenged me to a game of “Upwords.” I tried to warn him that I play cutthroat Scrabble and tend to make my opponents cry, but he just had to challenge me.

In case you’re wondering, I looked at him in disgust, told him to stop being an ass and said I was writing a SF series filled with political intrigue following a military officer wanted for treason while she tries to find her kidnapped father, clear her name, and prevent an assassination plot that will plunge the galaxy into civil war. I doubted she had much time for grocery shopping.

Women and girls are less likely to care about the gender of the author. Men and boys have preconceived ideas of what women write. It may not be right, but the fact remains that it *IS*.

We can stubbornly stick our given names on the covers of our books and whine about pathetic sales and wonder why men don’t buy them. We can also suffer the ridicule of males threatened by intelligent women while we’re tilting windmills over it.

ChewieMen in power are like wookiees, they don’t like to lose and tend to get upset and pull people’s arms out of their sockets. Let’s face it, it’s not about prejudice as much as it is about a group of people in power over an industry who are loathe to relinquish said power.

For now, that is the nature of the industry. Ideas do not change overnight. In the decades that I’ve been writing, I’ve seen many, many changes within society and within the industry. When I first began, the strong, kick butt heroine was anathema and completely unheard of. She was the kiss of death for a manuscript.

Xena Thanks to Xena, Buffy, and Charmed, or rather Sam Raimi, Joss Whedon, and Aaron Spelling, the female action hero is no longer a thing of the past, although I doubt without the male of the species putting his weight behind the notion, women writing and producing these characters would ever have gotten past the elevator pitch. Right or wrong, it’s the nature of the industry.charmed_season_1_promo-2

Feminist? Perhaps. Capitalistic? Certainly. I’d be willing to bet that these men who produced these cutting edge women saw the potential fan-base for strong female characters in the rising numbers of young men of the 90’s having grown up in single parent households and tended to view their mother as provider and protector.

I’m jaded enough to attribute their choices to dollar signs rather than any sense of social justice or feminist responsibility.

The gatekeepers of the industry can’t argue with sales. While the traditional SF/F publishers are less inclined to give shelf space to women writing in the genre, it *is* a business and sales are the bottom line. When the sales of female authors match or outstrip the male of the species, you’ll see change. To first get those sales at this point in time, one must play the game.

For the time being, women using initials or a male pseudonym in order to be taken seriously in a male-dominated genre is simply the way things are done. In time, with networking, the rise of self and indie publishers more inclined to take a chance on women writers, that will change.

Our daughters and granddaughters will thank our initialed nom de plumes for paving the way for them to use their own names on their own SF/F covers.

Girls Don’t Like Sci-Fi! Do They?

Sometimes it’s hard to remember how far we’ve come until you look back at where we’ve been.

When I was a kid, growing up on STAR TREK, WONDER WOMAN, SPACE 1999, THE SIX MILLION DOLLAR MAN, THE BIONIC WOMAN and BUCK ROGERS women were still pretty much objects to be kidnapped, tied up, held for ransom and eventually rescued by the big strong man. While women and girls were fans of science fiction, it wasn’t really written for us, with us in mind. The general consensus was that science fiction fans were primarily male, intelligent, between the ages of 12 and 40 and virgins living in their parents’ basement.

I was frustrated that there was precious little out there that depicted kick-ass women as heroic figures. So I started writing my own. That’s how Bo Barron was born. Even then, I realized that it would be impossible to find a market in the male-dominated science fiction market. I was ready to give up the idea and bow to pressure to go to college to be an English teacher. Fortunately, I found the Rissa Kerguelen series of books by F.M. Busby and held fast to my original plan.

Until I sat down to write this post, I’d pretty much forgotten those books, which is a shame, considering how many times I read and re-read them in high school. It was 1984, Bo was already cutting a wide swath through my friends who clamored for more of her adventures. It was a stinky boy who told me no one would ever buy a science fiction book about a girl warrior. College loomed. I had to declare a major. While browsing in a bookstore I found Rissa. She was so different from Bo and while I tried to really like her, something about her fell flat. I later came to realize that was because she was written by a man, from a man’s perspective. But what kept me going was knowing that here was a character who had a lot in common with my own. If she could see the light of day, so could Bo.

Over the years, I heard over and over that “women just don’t read science fiction” and “women aren’t into science fiction.” I did and I was. What was I? Chopped liver? I would argue with whoever held still long enough that the reason more women weren’t into science fiction was because men were writing science fiction for men. If more women wrote science fiction, more women would read it. But it was the 1980’s and gender lines were still clearly drawn.

The movie ALIEN started things changing. Ripley was a kick-ass heroine that men loved and women related to. It was a slow process, but by the 1990’s, the sub-genre of Science Fiction Romance was on the rise and traditional romance publishers were taking a chance on it. However, the mainstream SF publishers still didn’t want anything to do with it. Hard SF, cyberpunk and technothriller were all they wanted to see. Space Opera? Forget it.

The stereotype of the awkward, but brilliant male adolescent SF fan living in his parents’ basement was still the target market of SF publishers. Funny, but during that time Romance sales soared and SF sales did not. Film and television tapped into the female market with shows showing women in heroic roles like SPACE: ABOVE AND BEYOND and BABYLON 5 and STARSHIP TROOPERS. In fantasy and other genres there was XENA: WARRIOR PRINCESS, NIKITA, and even the X-FILES, which switched the gender roles with the skeptical scientist played by Gillian Anderson and the wild-eyed paranormal expert played by David Duchovny.

Fast forward to the 21st Century. SF Romance still struggles to find a market as Romance publishers are reluctant to deviate from their formula and require Happily Ever After endings or at least Happy For Now, and Science Fiction publishers are more reluctant than ever to sully their reputations with that tripe. Of course, the beautiful thing is, SF authors are no longer dependent on the hallowed halls of traditional publishers to get their work in the hands of eager readers. There is an awful lot of self- small- and indie-published SF out there, a lot of it Space Opera and SF Romance.

You see, the nasty little secret that mainstream SF publishers never realized is that no matter the situation, be it war, politics, or business, no matter how complicated it is at the outset, all you have to do to really screw it up is to throw a woman and romantic element into the mix. It doesn’t necessarily make it a romance, but it does complicate your story nicely. That’s the kind of thing women love to read. Even Homer understood how women can complicate and cloud the issue. After all, he told the story of the Trojan War, which, according to Homer, was all for the love of a beautiful woman.

As for women being fans of Science Fiction, just take a look at current trends in cosplay.

Yeah. Women love SF. Women love a good story. Women don’t necessarily need a Happily Ever After. If we did, GONE WITH THE WIND wouldn’t have sold so many copies and CASABLANCA wouldn’t be considered one of the most romantic films EV-AR!!

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What do you think? Are girls into SF? Has traditional Science Fiction publishing met the needs of female fans? Or are they hopelessly still operating on an outdated business model?